It would take more than 30,000 football fields to span the gap between Dallas, TX and San Francisco, CA. But all that distance and the disparate lives of each city's citizens may have only served as a catalyst for what NFL Films Senior Producer Paul Camarata dubs the greatest rivalry in the NFL since the merger.
I'm talking about the gold standard of excellence throughout all of History - the Dallas Cowboys and the San Francisco 49ers.
Practically half of NFL History belongs to this rivalry. A total of 41 Hall of Fame inductees made either Dallas or San Francisco home for at least part of their careers, but what else are those cities home to?
San Francisco, CA
|The identity of Dallas has evolved quite a bit over time. From President Kennedy's assassination and the bad reputation that followed on a national scale, to "Dallas" the tv show personifying a life of glitz and glamor for all those tuning in. And oh yea... the Dallas Cowboys won 5 Super Bowls.||They're no stranger to assassinations either. Mayor George Moscone and Supervisor Harvey Milk were taken far too soon in 1978. The Band Played On when the AIDS virus appeared in the Bay Area in 1981. Amidst city-wide tragedies, the 49ers also have a hand full of Super Bowl rings.|
Outside of football, the two cities couldn't be any further apart. California is as blue as the Cowboys' jerseys and Texas is as red as the Niners' jerseys. Even still, the legacies of both teams seem to mimic each other throughout history.
Consider that 49 Super Bowls have been played to date and that 10 of those World Championships belong to this rivalry. Now consider that of those 10 Lombardi Trophies, half have been earned (3 for Dallas / 2 for San Francisco) after playing each other in the NFC Championship Game.
This is more than a rivalry. It is, in the words of Dr. Harry Edwards (49ers Special Consultant), "An ongoing intergenerational feud."
Why is this important?
It's important because the fantastic people over at NFL Films have started a new series that you can watch on NFL Network called The Timeline. This series is inspired by different moments throughout the great history of the National Football League.
Their first episode encapsulated the career, retirements, un-retirements, and football life of Brett Favre. It revolved primarily around Favre's return to Lambeau Field and induction into their Hall of Fame... and the well-deserved retiring of his iconic #4 on Thanksgiving night, 2015.
How do you top 'Ol Gunslinger? With the greatest rivalry since the merger, of course.
Their second episode, a two-parter titled "A Tale Of Two Cities," delves into the rivalry between the Dallas Cowboys and San Francisco 49ers, including moments that mattered most to fans of the two franchises, whether political, cultural, or on the football field.
NFL Films Senior Producer Paul Camarata was gracious enough to take some time to discuss this film, an education of rivalry, NFL History, and what makes both football and films great.
Here's my conversation with Paul.
RJ: What was the inspiration for "A Tale Of Two Cities"? Why this subject matter?
Paul Camarata (NFL Films Senior Producer): I think that when we were looking for topics for the new series... we knew that A Football Life was our biography series. We'd done some conceptual shows (The Immaculate Reception, Cleveland '95, Houston '93) and we wanted The Timeline to sort of be inspired by those concepts and by moments rather than players and coaches.
The Timeline is a series that is going to be about the moments that changed history. This particular rivalry emerged as almost one big moment - there were so many individually great moments. We thought... what if we drew a circle around Cowboys/Niners? The whole exchange of personalities and events... it was almost like one singular moment.
It is in my opinion, the greatest rivalry since the merger. Once we went beyond the field that's what really synched it. The cultural distinctions between the two cities and the evolution that they went over the main 25 year period (1970-1995)... it gave us this whole other rich backdrop.
The relationship that the football teams forged with each other kind of became like mile markers for the cities and the experiences that they were having. There was an antagonist within the other city and other team. The uniqueness, the epic nature of it, and again this notion of it being this enormous moment which is made up of singular moments enormous unto themselves is what drew us to it.
RJ: How do you begin to structure a story like this? With so many parallels to pop culture and political influence across multiple decades, what goes into building the story that you ultimately want to tell?
Paul Camarata (NFL Films Senior Producer): In many cases what starts to emerge is that some of the intersections are obvious. Football sort of inspires something in the city that is completely off the field. You look at the context of what was going on around the football games here.
The Moscone/Milk assassinations... The notion that there was a Monday Night Football game played the same day as that, suddenly you look at that and you go, "Wow those two things are married in history." In looking at the broadcast of the game you see the prism of people.
The Howard Cosell Open, the empty stadium seats... they lost the game and that is in some sense a metaphor for the city. The game and the success or failure of the 49ers at that moment were such a reflection of the cultural history of the city at that point. They just fit together in terms of telling the story.
You look at the Cowboys... everything was going so well in Dallas in the 70s. Everyone knew Dallas and the economy situation from Dallas the tv show. It became this world-renowned television show that put a spotlight on the city and kind of spotlighted glamor, wealth, and fame. It was through this prism of pop culture and it started the same year as the "America's Team" nickname (1978).
You see this mirror and this metaphor and you start to track how the success of the team is relative to what's going on in the city. The spirit of what's going on in the city can be traced back to certain events whether they're political, cultural, or sports related.
Look at the Nike commercial with Deion Sanders for example. Jerry signs Deion and it's this huge news story because of the finances of football and how Jerry was able to make those moves. Then it becomes this huge national thing due to the Nike of it all. The cast of characters in the commercial (Deion, Jerry, Barry Switzer, Kevin Smith) are all in that commercial. There's a cultural ripple that goes all the way back to Dallas the tv show.
RJ: In "A Tale Of Two Cities" Lawrence Ross compares the Cowboys/49ers rivalry to that of the Lakers and Celtics. Was there any inspiration from that rivalry or any other across sports?
Paul Camarata (NFL Films Senior Producer): We saw pieces of a litany of great sports rivalries reflected in this rivalry. Cowboys/49ers encompasses all of those pieces in one.
In sports you have geographical rivalries (Packers and Bears), rivalries that are individually based (John McEnroe and Jimmy Connors), rivalries of longevity (think Kobe and Father Time), and rivalries that are culturally based (Yankees and Red Sox).
In the NFL the Cowboys/49ers rivalry has all of those elements. You've got geographical, cultural, political... Dr. Harry Edwards said it best in the episode. It's an "ongoing intergenerational feud."
You even have personality rivalries. Guys like Michael Irvin and Deion Sanders, even Jerry Jones and Eddie DeBartolo.
RJ: It seems that throughout all of their battles that the 49ers wore their classic red uniforms while the Cowboys wore their classic whites. As a producer/filmmaker, does a detail like that add anything to the story? I've always felt that it's added to the consistency of the rivalry in terms of what we're used to seeing visually.
Paul Camarata (NFL Films Senior Producer): Great observation! Haha.
It's a bit of a happy accident. There's a montage at the end where you see red and blue through the years. The players change but the colors stay the same. It adds this sense of contrast to it. Think about how in Civil War movies there's always a blue side and a gray.
I remember when I was a kid... I liked GI Joe. GI Joe always shot blue and the Cobra shot red, haha. In this rivalry it's always red and gold versus blue and silver.
There's a moment in the film that we actually uncovered through the process of interviewing Jerry Jones where he talks about his Norman Rockwell painting. That whole idea personifies the visual contrast present in the rivalry.
"I have a Norman Rockwell painting... it's called, "The Toss." It's his most famous football painting. And it has two football players there - one is named Jones. It's in blue and the other is in red. Every time I look at it I see the 49ers and I see the Dallas Cowboys." -Jerry Jones
It gives this visual continuity to it to where you could pick up any clip from any era and you would know immediately that the two sides are at odds.
RJ: Were there any specific players or coaches that you felt you had to get for the film? Obviously guys like Charles Haley and Deion Sanders played roles on both teams, was there anybody that was a must-have?
Paul Camarata (NFL Films Senior Producer): Deion, Haley, and Ken Norton are certainly huge characters in this story.
The thing that's unique about all of these people is in building the framework... who were the people driving the story? When did they get there and when did they leave?
There's Eddie DeBartolo, there's Jerry Jones, there's Deion getting into the fray and then switching sides. There's Joe Montana getting hurt and Steve Young taking over. In terms of what we focused on we chose the players and coaches whose arrivals and departures catalyzed the rivalry the most.
For example, there's Roger Staubach in the 1972 Divisional Playoff Game. Staubach changed that game. That's a microcosm of one guy coming on the field and changing the course of the rivalry.
We saw that play out with individual games, whole seasons, whole eras in terms of the 90s. Things like that changed the direction of what the rivalry had been up until that point.
RJ: Is there anything that you took away from this project that you didn't know about this historic rivalry?
Paul Camarata (NFL Films Senior Producer): In terms of the 90s... I was a kid watching football. I remember those games and events, but I have a greater appreciation now because I can see that it was more than the guys that I was watching as a kid.
These are historical and colorful characters. There haven't been many coaches since then like Jimmy Johnson. The same goes for Jerry Jones. Same for Eddie DeBartolo. Same for Barry Switzer.
I see it through the lens of time and distance... how incredibly both successful and colorful so many of these people were. You forget the notion of just how many incredible people were on the field at one time.
How many Hall of Famers were on the field for so many straight years against each other?
The Catch game itself... I would still see clips over the course of editing and just couldn't believe it. It's amazing how close it was to not even happening with where the ball was placed and how Montana barely gets it off.
RJ: Through putting "A Tale Of Two Cities" together, what would you say has been the most defining moment between the two teams?
Paul Camarata (NFL Films Senior Producer): It's gotta be The Catch.
The drama of that game, the drama of that play, the build up of the Cowboys torturing the 49ers...
It's even the little things. The fact that Vin Scully was the play-by-play guy adds to the lore. The fact that Tom Brady is putting out photos from when he attended that game years later. 50 and 60-year old men are still debating whether Joe Montana was throwing it away. It's incredible both in and out of the lives of athletics.
You could do a whole film on just The Catch in terms of the conduct of the actual game and how many turnovers there were. When you go back and listen to the play-by-play of that drive... all the language is geared around it almost like a boxing match.
The Cowboys are on the cusp of going back and the 49ers are constantly the upstart. The notion of them being this team coming out of nowhere... it's fascinating to hear that there was a time when Joe Montana hadn't done it yet.
RJ: What sort of influence does Steve Sabol still have on NFL Films and its productions?
Paul Camarata (NFL Films Senior Producer): Steve... a lot of people in our department had the good fortune to work directly for him and have him look at our work and comment on it. It is because of that that we received an education in looking for stories and identifying them and figuring out ways to unfold them.
We've talked a lot about characters today... that's because Steve tried to portray football as Hollywood portrayed fiction.
Because that was my education, I look for the characters, for the scene, for the conflict... that all comes from Steve Sabol.
Steve's fingerprints are more than on these films. They wouldn't exist without the passion that he had for documenting football as it was happening. So many things that we have... the B-roll of the Niners new facility that Jerry goes to visit with DeBartolo in the film, we could only do that because Steve's Army was out there capturing it.
So much of the footage that Steve captured lets us relive those games and bring them back to life. So many interviews that were done off of the field really helped to capture a guy like Bill Walsh... who was unknowingly making history at the time. Those moments only exist in our library because of Steve's passion for football.
A writer could study the Cowboys/49ers rivalry and write an incredible book, but because of what Steve captured we have all of this footage, sound, exteriors of stadiums and cities... those enable us to portray these cities off of the field and help us truly bring the story to life and allow us to share it with future generations.
Without Steve Sabol doing that, our films would not be what they are.
RJ: What would you say that you personally took away from this project? What are you most proud of?
Paul Camarata (NFL Films Senior Producer): For me the greatest thrill of every project that I've ever worked on here is... so for example this story starts about these two teams.
The joy of it all and the fun of it is the team that you're on that's making it. The producers here, the producers in Los Angeles... everyone pitches in so much. That's the only way the film can be a success.
The privilege that I feel every day is to tell the stories of these other teams and other players with my team.
Something specific like that in terms of "A Tale Of Two Cities" is that we had dueling narrators. We liked the idea on paper and it was a challenge that I gave to the segment producers. At first it was a little bit uneasy... I didn't know how to give them specific direction.
The guys embraced the challenge and did it fearlessly in sort of writing a different style. Two guys and two voices... linking them into characters unto themselves gave each team in the film an individual feel.
"A Tale of Two Cities" is a 2-part, 2-hour long film. The first part originally aired on Tuesday, December 15th and the conclusion airs this Saturday after the Cowboys play the Jets on Saturday Night Football. Also featured in the film are Jeremy Renner and Sam Elliott narrating as representatives of each fan base in San Francisco and Dallas, respectively.
For many young fans of the two teams, this rivalry is the sort of thing heard debated and analyzed by our fathers, uncles, and grandfathers. It's almost fully disconnected from today's NFL. But thanks to men like Steve Sabol and the wonderful team at NFL Films, this rivalry has never been more vivid than it is in this series.
It has been said that Steve Sabol was the "keeper of the flame" in terms of NFL History. It's thanks to him, thanks to Sabol's Army, and thanks to the incredible producers like Paul Camarata that we can re-live different moments across the timeline of it. I cannot thank Paul enough for sharing his time, knowledge, and enthusiasm. This film is fantastic in every way and it is because of the effort that he and his team put into it.
Be sure to tune in tomorrow night after the game to NFL Network. See how the success of one team existed only in opposition to the other from 1972 - 1996, the passion these guys felt every time they suited up for battle, and the years-later commentary by the veterans who actually lived through this war, this tale of two cities.
Warts And All, Dak Prescott Shows Why It’s Not So Easy To Move On
Dak Prescott was far from perfect Sunday night in Philadelphia. In fact, at times, he was downright bad.
Prescott missed two potential touchdown passes to Amari Cooper and Michael Gallup on fly routes down the sideline, and might have left points on the board when he badly missed Ezekiel Elliott in the flat in the red zone early in the game. Prescott continued to panic in the pocket a bit during the first half, and took an absolutely horrendous sack on what would end up being the Cowboys' first touchdown drive of the night.
All of this is true. All of this is indisputable.
Where things get tricky, however, is that while these flaws continue to show up in Prescott's game, so do his strengths. A particular set of strengths and skills that the can be highly valuable in today's NFL, especially if deployed correctly.
Beginning with the final drive of the first half, Dak Prescott played the type of football we've rarely seen from him over the last calendar year. He was comfortable in the pocket, seldom abandoning clean looks or running into sacks. He utilized his legs and ability to extend plays when necessary, and delivered some absolute strikes to help the Cowboys offense get into scoring range multiple times. Prescott also picked up some key third downs with his arm to answer Eagles' scoring drives, something we haven't seen from these Cowboys in quite some time.
Dak was far from perfect on Sunday night, but he did show why he is so hard to move on from. When the offensive line is clicking and Prescott can have that comfortability (that is all-too-rare in the NFL), he looks like his Rookie of the Year self. But, we all know that when things really break down, he isn't able to put the offense on his back the way the true "top" quarterbacks are.
I am a Dak Prescott fan. I'll make no mistake about it. But what do we call it when a quarterback is good enough to keep you competitive, can have wildly impressive plays/drives/games while also having wildly frustrating and bad plays/drives/games?
We call that quarterback purgatory. We call that the Cincinnati Bengals.
The only thing which separates Dak and Dallas from being in full purgatory mode, to be quite frank, is Prescott's youth. Because of that youth we can still hope that he can develop as a passer and quit being so gun-shy and timid to make tight window and anticipation throws.
But how long can a team truly wait before they become Marvin Lewis and Andy Dalton losing by 30+ points at home?
It's a question which is tough for every team to answer. Dak Prescott is too good to easily replace with a random quarterback off the street, but it's hard to imagine he's good enough to get your team over the hump without significant help around him.
So, in the end, here we are. With the Cowboys at 4-5 fighting with an Alex Smith-led team for what will most likely prove to be a rather irrelevant division title.
But hey, it's always fun to win in Philly isn't it?
Leighton Vander Esch Is A Stud, And Should Be For A Long Time
The Cowboys took their fair share of heat for selecting linebacker Leighton Vander Esch 19th overall in the 2018 NFL Draft. But through just over half a season, Dallas is looking vindicated in their decision.
Vander Esch was arguably the best defensive player on the field during Dallas' 27-20 win in Philadelphia Sunday night, and made the two biggest defensive plays of the game as well. Finishing with a game-high 13 tackles, Vander Esch was all over the field in both run and pass defense.
The first of his two massive plays came in the first quarter. After the Cowboys offense stalled deep in their own territory, the Eagles looked to be in prime position to strike first with a short field. On Carson Wentz' first pass attempt of the drive, however, Leighton Vander Esch was there to intercept him and return the ball back 28 yards.
Those return yards proved key as well, giving the Cowboys the short field and an easy path to their first three points of the night. And with the way their offense looked early in this game, Dallas could use all the help they could get.
The biggest play of the game, though, came late in the fourth quarter. With the Eagles facing a third and short and down seven points, they absolutely needed a conversion to keep pace with the surprisingly hot Cowboys offense. Philadelphia tried to beat Dallas with a running back screen to the backside, inviting the pass rush and getting blockers out in front.
There seemed to be nothing but blockers and green grass ahead for the Eagles on this play, with "Next Gen Stats" expecting a 22 yard gain after the catch. Then, Leighton Vander Esch eluded two blockers and tracked down the running back for a loss of 3.
Leighton Vander Esch made a game-saving tackle late in the 4th quarter to preserve the Cowboys 27-20 win. Corey Clement was expected to gain 22 yards after the catch (gained 3), -19 YAC Below Expectation, the most yards saved on a pass play this season. #DALvsPHI #DallasCowboys https://t.co/0DF7jhPQzH
If not for this tackle, who knows how both that Eagles' drive and the game would have ended. Vander Esch saved the day for Dallas, and forced the Eagles into a tough fourth and long situation with the game on the line.
I know it is still early in Vander Esch's career, and even relatively early in this season as well, but it's become clear the Cowboys hit a home run with their 2018 first round selection. Vander Esch is fitting in beside Jaylon Smith with ease, and with those two athletic freaks together, the Cowboys look to have one of the brightest defensive futures in all of football.
Of course, there are now legitimate questions about what the Cowboys should do with their captain Sean Lee. But as of right now, it should be Leighton Vander Esch's job to lose.
Can Cowboys LB Vander Esch Do Enough to Win DROY?
At 3-5, there are very few positive things to point out when discussing the 2018 Dallas Cowboys. One of those few things has been first-round rookie Leighton Vander Esch, whose play at linebacker has taken the league by surprise. Seen as a raw talent who could develop into an elite player with time as a prospect, Vander Esch's impact on the field has been immediate.
Through nine weeks in the NFL season, the Boise State product should definitely be in the Defensive Rookie of the Year discussion. As much as Sean Lee's injury will hurt the Cowboys' defense, it will get the rookie more playing time and a big opportunity to put his name in the minds of NFL Honors voters.
Sean Lee will miss some time after re-injuring his hamstring for the second time this season. Earlier in the year, Jaylon Smith and Vander Esch were able to keep the defense from crumbling without their veteran captain. Even with all the offensive struggles, that should continue to be the case for the linebackers.
Vander Esch has only played in 65% of the Cowboys' defensive snaps, yet he's tied for ninth place in solo tackles in the entire league with 49. He's at 64 total tackles and two pass deflections and has been a magnet to opposing ball carriers every time he's been on the field.
He's the third highest graded rookie LB for Pro Football Focus. Most times, rookies find success like this by being rotational players or simply splitting snaps with other players. But as previously mentioned, Lee has already been out for a handful of games in 2018 and Vander Esch has lived up to the hype.
Simply put, Leighton's play as a rookie has already put Sean Lee's future on the Cowboys in question. With such an injury history and a two young studs ready to take over the reigns, Dallas could very well release Lee prior to the 2019 season.
Now granted, the race for Defensive Rookie of the Year will not be an easy one to win for Vander Esch. Fourth overall pick Denzel Ward has been an impressive cornerback for the Browns and fifth-overall pick Bradley Chubb has been one of the best pass rushers on Sundays. Not to mention the NFL leader in solo tackles, Colts' LB Darius Leonard.
Despite a great start to his season, the Cowboys young LB will have to play way better for his name to be called when the Defensive Rookie of the Year is revealed at the NFL Honors event in February. There are some pretty big names he has to catch up with in order to make this happen.
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